Art For Art's Sake Kant. If art for art's sake be escape, there. Approaches to art and literature.
On questions of why we create and value art, “art for art’s sake” argues judgement should not be made based on how well work serves external purposes, such as moral or political commentary. It is possible to consider this potion two ways: Discuss “art for art sake” according to immanuel kant.
Such Works Are Sometimes Described As Autotelic (From Greek:
Clear conception of fine art s as a free and independent activity of the mind, outside the d omain from that o f education or moral improvement (butcher, 1951:115). What does kant want us to discover when he said art for art's sake? ‘consuming art’ and ‘making art’.
The Concept Of Art For Art's Sake, Via The Aesthetic Movement, Had A Transformative Effect On Interior Design And Architecture.
It permits the description of art's detachment from the context of practical life as. He notion of art for art's sake, which originated in the rather more elegant french phrase l'art pour l'art, has more to do with advertising and political slogans than with aesthetic and critical theory. The theory of the sublime comparative literature 340.52/philosophy 394.58 hunter college, spring 1997 instructor:
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Approaches to art and literature. Discuss “art for art sake” according to immanuel kant. Borrowing and, as his objective suited, warping aristotle’s aesthetic disinterestedness, lord shaftesbury (anthony ashley cooper) helped create the notion of art for art’s sake.
In Contrast, The Detachment And Disinterestedness Of The Pure Aesthetic Gaze Asserts, As Kant Does, Form Over Function And, With It, An Often Moral Ambiguity Where Art Can Be Only Be Taken For Art’s Sake.
The study of beauty especially in art and literature. But there is a difference between what kant wrote and what his followers made of his ideas. The artistic or beautiful qualities of something.
A Set Of Ideas Or Opinions About Beauty Or Art.
Art for art’s sake, a slogan translated from the french l’art pour l’art, which was coined in the early 19th century by the french philosopher victor cousin.the phrase expresses the belief held by many writers and artists, especially those associated with aestheticism, that art needs no justification, that it need serve no political, didactic, or other end. The idea of art being given wholly over to aesthetic pleasure and delight was the ultimate freedom of art to exist on its own merits and to be the. The idea can also be extended to the motivation of the artist suggesting that an artist may be motivated by art and art alone.
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